La Ciotat (1922) reimagines the sun-drenched Mediterranean port through the fractured lens of Cubist abstraction. Valmier breaks coastline, sky, and architecture into overlapping geometric facets — cool blues and warm ochres pressing against one another in rhythmic tension. The painting captures the shimmering heat and visual complexity of the south without ever retreating into literal description. It is among his most assured works from the early 1920s, balancing structural rigour with lyrical colour and an unmistakable joy in pure pictorial invention.

Issued as an archival fine art print from our Berlin studio, this poster preserves the sharp edges and vibrant colour contrasts of Valmier's original with remarkable fidelity and line clarity.