By 1923, Valmier had fully committed to an abstraction that borrowed from Cubism's spatial complexity while moving toward something more fluid and decorative. This Composition layers curved and angular forms in a composition that feels both architecturally structured and rhythmically alive. Colour relationships — warm against cool, saturated against muted — carry the pictorial tension, with no single element claiming dominance. The result is a sophisticated equilibrium typical of the Abstraction-Création circle he was part of.

Printed as an archival fine art print in our Berlin studio, the layered forms and nuanced colour transitions are captured with exceptional line clarity and tonal accuracy.